This piece is part of an ongoing series exploring brushwork methods. Brushstrokes are applied by hand attempting to replicate the motions of a mechanical process. The resulting imperfections and idiosyncrasies give rise to the captivating patterns and compositions seen throughout this collection.
The name is derived from the visual composition either during or after painting. In this case, the white strokes interact with each other leaving an imprint as each line continues. I imagine this as recorded noise on a strip of magnetic tape.
Printed on Hahnemühle Photo Rag paper, one of the world’s most favoured papers for FineArt printing, this artwork is a Fine Art quality Giclée print. The white cotton material, featuring a wonderfully soft feel and a lightly defined felt structure, imparts each piece with a three-dimensional appearance and remarkable depth.
Print Only measures 40cm x 50cm
Framed Print measures 42.4cm × 52.4cm